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982 Market Street
San Francisco, CA 94102
Bud Light Concert Series
Date: Sat, Mar. 13, 2010
Showtime: 9:00 PM
Doors open: 8:00 PM
Ages: All Ages
On sale now
You can win FREE TICKETS by going to any of the websites below and requesting them at the “I Want Tickets!” page at http://Superstarmanagement.com or twitter: @ajalil, at http://AMWFTRUST.ORG or twitter: @amwft, at http://Ex-Why.com or twitter: @ezwhy, or http://NowTruth.Org/ or twitter: @nowtruth
The dictionary defines the popular term “comfort food” as “food prepared in a traditional style having a usually nostalgic or sentimental appeal.” It has been known to have a buffering effect as it soothes the soul and spurs memories of more “comforting” times. If that concept holds up in the kitchen, then it makes perfect sense that it should hold true in the living room with its aural equivalent. While it’s already a known fact that popular songs often connect with listeners in a highly personal way, often recalled alongside life’s more personal moments, only a few distinctive voices in popular music can achieve that same effect with instantaneous familiarity.
With his eternally smooth and instantly recognizable falsetto alone – without the strings, bass, guitar or drums – legendary singer/songwriter/producer SMOKEY ROBINSON’s honey-coated voice absolutely is the audio equivalent of comfort food, comfort food for the soul, with soul. In following with the aforementioned definition, the Motown legend’s forthcoming ROBSO Records CD, Time Flies When You’re Having Fun has certainly been “prepared in a traditional style,” while that oh-so-familiar, highly identifiable crooning has an indisputable “nostalgic or sentimental appeal.”
Indeed, the “traditional” element of Time Flies When You’re Having Fun had already been determined while Robinson was recording his last CD, 2006’s pop/jazz standards collection Timeless Love. Just as that particular project had been recorded live in the studio with musicians – the first time he had recorded a full LP that way in years – Smokey knew he wanted to record his newly-written contemporary R&B songs in the very same fashion. In fact, he was so inspired by recording the “old school way” that the recording schedule for both projects actually overlapped. “I was having such a ball making that project (Timeless Love),” he explains. “I hadn’t intended on doing them simultaneously because I knew that Timeless Love was the one I was going to come out with. But things were going so well with that project that I said, I’m gonna start putting in some of the original material I’d written for my new CD (Time Flies When You’re Having Fun) and record it this way too.’ I knew I was going to do these particular songs, but I didn’t realize I was going to wind up recording them live like I did with Timeless Love. So I did and we had a ball.” Though he’s the first to acknowledge and appreciate the technologically advanced way that recording for most releases are done today, like the cleaner sound and creative lee-way afforded by ProTools, Robinson was steadfast in his penchant for live instrumentation for this CD. “I think that you still don’t get that feeling that you used to get in the old days when everybody was in the studio together,” says Robinson, whose early Motown classics were recorded in this fashion. “That way was like doing a concert, because everybody was feeding off of each other. It’s just that live vibe.”
Having incorporated the “traditional” ingredient of his comfort food recipe, even a casual SMOKEY ROBINSON listener would know that his oh-so-singular voice more than accounts for the “nostalgia” and “sentimentality” components. Whether it’s his signature languid, simmering slow numbers or a groove-driven midtempo, every song delivers what can best be described as “classic Smokey.” Better yet, Robinson – the primary producer, alongside co-producers Brian French and Gary Gold — brought on board the similarly recognizable talents of friends Carlos Santana, India.Arie and Joss Stone for the intoxicatingly smooth R&B/pop repertoire of Time Flies When You’re Having Fun. Completely written by Robinson (except for his sumptuous remake of Norah Jones’ “Don’t Know Why”), this most enticing set veers from the slow-simmering, Quiet Storm-worthy (“Time Flies,” “Whatcha Gonna Do” and “Love Bath”) and light-groovin’ pop/R&B midtempos (i.e., “Girlfriend”); to the old-school reminiscent (“You’re Just My Life,” with India.Arie) and even a red-hot double entendre slow grind (“That Place”). For the rhythmic “Please Don’t Take Your Love,” Robinson is joined by guitar virtuoso Santana, a 30-year friend/colleague he came up in the industry with. When asked about exactly where “that place” referred to on the steamy slow jam actually is, Robinson jokingly teases, “You tell me. It’s the same thing as Cruisin.’ People are going to say the same things as when they heard that song, so that place’ is wherever you want it to be. I’ve had two and three people approaching me at a time about a bet, saying, When you sang Cruisin,’ didn’t you mean this or that?’ I just said, No, I meant whatever you mean.'”
Given the sensitive nature of his music, the smoothness of his sound and the fact that he composed specially-written material for some of early Motown’s most familiar female voices (Mary Wells/Brenda Holloway/The Supremes), it’s no surprise that Time Flies When You’re Having Fun’s two duets – done with India.Arie and Joss Stone — come across so mellifluous and alluring. “I love India.Arie so much; she’s my baby,” Robinson says of his singer/songwriter friend. “I met her through Stevie (Wonder), so we’ve always vibed well since then. She’s just a beautiful and wonderful lady.” He’s similarly emphatic about Brit soulstress Joss Stone, whom he met when she was only fifteen years-old. “I met her in England,” he recalls, “and after hearing her sing I gave her a nickname. I told her she sounded like Aretha Joplin.’ We just became friends and I would see her from time to time, and I’ve basically watched her grow up. So, when I wrote You’re The One For Me’ I had her in mind to sing it with me.”
Given his legendary status in pop culture and his ever-personable nature, it’s no surprise that SMOKEY ROBINSON is not only still recording quality music as he celebrates 50 years in the music industry, but attracting top-notch talent to collaborate with as well. After all, this is the same singer/songwriter/producer/record executive who logged a hefty 37 Top 40 hits for Motown Records between 1960 and 1987. In fact, from “Shop Around” (1st Motown 1 R&B hit/1st Motown million-seller) to “Just To See Her”/”One Heartbeat” (both 1987 Top Ten smashes) Robinson began collecting accolades which never seemed to stop coming over the years. In addition to being one of Tamla-Motown’s first signings (as well as the label’s Vice President from 1960 to 1988), Smokey has been the recipient of a Grammy (for 1987’s “Just To See Her”), a 1988 inductee into the Rock and Roll Hall of Fame, a 1991 recipient of the Soul Train Music Award for Career Achievement, a 1999 Grammy Lifetime Achievement Award, a 2006 Kennedy Center honoree, a recipient of a Doctorate of Music degree from Howard University (2006), a 2009 recipient of an Honorary Doctorate degree from Berkeley College of Music (for whom he also gave the commencement speech), a Songwriter’s Hall of Fame honoree and a rare double-honoree of a star on the Hollywood Walk of Fame (as a solo artist & member of The Miracles). Along the way, he’s also amassed the love and respect of his peers, from being lyrically lauded by Bob Dylan (who referred to Robinson as “the world’s greatest poet”) to being lyrically cited by 80s Brit-pop band ABC (on the smash hit “When Smokey Sings”), the Beatles’ George Harrison (“Pure Smokey”) and the Tom Tom Club (“Genius of Love”).
Hence, a much beloved SMOKEY ROBINSON fully intends to continue this wonderfully weaved music legacy with the sultry-sounding Time Flies When You’re Having Fun (set for an August 25th release). “The title of this CD depicts my life,” shares Robinson, “because I love my life. I love the fact that I’m extremely blessed, because I get a chance to live a life that I love. I get a chance to do a craft that I love. I get a chance to do a job that I love. When your job is something that you absolutely love, that’s a blessing. I have never taken that for granted. I don’t trip on Smokey Robinson.’ You talk about fifty years going by overnight? That’s exactly what has happened.”
Due to the large number of calls in these very trying times, we have changed our Corporate telecommunications to better serve those in need. To Contact:
Aaron & Margaret Wallace Foundation: (510) 394-4101
Imam Jamil Film and Music Project: (510) 394-4201
SuperStar Management: (510) 394-4501
¿eX-whY AdVentures?: (510) 394-4601
NowTruth.Org: (510) 394-4701
If you or anyone you know may be in need of food and/or clothing donations, private school and college admissions, scholarship educational opportunities; job traininig and placement, rental assistance, social services assistance, homelessness assistance, mental and physical health assistance, medical assistance and legal aid assistance for themselves or any others, you can advise them to go to the Aaron & Margaret Wallace Foundation website at http://AMWFTRUST.ORG and submitt an online request form in a strictly confidential submission. There is much more coming to the site and they can also feel free to call the number (510) 394-4101 as well.
I invite to our casting calls for our clients, email list, news letter and visitors to our website.
We have a HipHop Ad Agency, ¿eX-whY AdVentures? specializing in advertising, strategic planning, promotions and marketing targeting the hard to reach, but extremely lucrative, X-Y and Baby Boomer generations urban and suburban markets using Hip Hop culture, it’s sound, it’s fashion, it’s speak, it’s bravado, it’s image, it’s way, as the vehicle.
We have registered the services of Hip Hop, Rap and RB’s elite artists, producers, directors, writers, choreographers, dancers, graff artist, B-boys, photographers, actors, models, and professional athletes to participate in this ¿eX-whY AdVentures?.
We have been producing commercial ads from concept, to creation, to production, to placement in media, – the entire process-, while owning our product!!!
We custom design, write, direct, produce, perform and provide all talent for the motion picture or television project, stage play, entertainment event, commercial ads, film trailers, soundtracks, the jingle, voice overs, and all promotions associated with the product.
We develop jobs for actors, producers, directors, casting directors, and writers in the entertainment, commercial advertisement, stage, film and television fields.
To that end, our agency would like you to come to our Casting Page for a list of castings calls that might fit your description for consideration in placement for jobs that we have.
We provide access to anyone interested and qualified in any roles for anyone of our 10,000 Professional Atheletes, Entertainers, Celebrity, Musicians, and Actors direct email recepients; our over 250,000 list members; and our over 2 million total readers of the publications we submitt to.
As you can tell from our roster of talent, our Casting Division has a unique advantage in all forms of casting. With the growing popularity of “film and music video-style” products, we have found that directors and producers value our ability to call in seasoned, serious talent from the film and television industries to add depth and quality to performances in stage, film, television and commercials.
More than four decades of feature film, television and commercial casting experience has provided us with strong relationships with agents, managers and talent which helps us to find the necessary talent to create innovative, creative and one-of-a-kind artistic product.
We can send Photos, Bios, videos, Comp Cards, CV with samples of work and salary requirements, where necessary. We are members of the Casting Society of America (C.S.A.), Independent Film Producers (I.F.P.), Screen Actors Guild (S.A.G.), and Broadcast Music Inc. (BMI) to list a few.
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LIVE @ THE PARAMOUNT SAT. JULY 31ST , 2010